I get asked sometimes what “genre” my music is. And the honest answer is: it depends on what part of the fire you walked in during. Sometimes it sounds like a circus. Sometimes it sounds like industrial insomnia. Sometimes it sounds like an old theater that should’ve closed years ago… but the lights are still on anyway, because someone forgot to let the cast go home. This playlist is *the clearest explanation I can give* of what I make and why I make it. This is *the show.* F

There are albums that are meant to add  something new. And then there are albums that exist to reinvent and refocus. Encore in the Ashes  is the latter. This record is not a collection of new confessions. It’s not a diary. It’s not a response to any single moment, person, or event. Instead, it’s a deliberate re-entering of the worlds I’ve already built— Carry the Dawn , Carry the Night , Carry the Ember , Circus of Ash , The Final Circus , Embers in the Glass , and The Cabare

The Cabaret of Rewritten Poems was built deliberately as a staged experience rather than a loose collection of adaptations. Each piece is drawn from public-domain poetry, rewritten and set to music in a cabaret / circus framework, then ordered to form a clear emotional progression—from confinement, to reckoning, to release. Click here to check the album out on Spotify What follows is not a personal backstory, but a map of the show. Act I — The Room and the Question The album